Description

This course is an exploration of Photoshop’s Pen Toolset and Paths.  The course will cover the creation, manipulation, and many uses of vector paths within Photoshop.  Students will become familiar with using Photoshop’s Paths for a variety of real world tasks such as vector drawings, logo creation, clipping paths, cutouts and other effects that can be accomplished with Paths.  Detailed step by step instructions as well as video examples provide the means for students to take control of this powerful but intimidating tool.

Skill Level

Beginner to Intermediate

Software Requirements

• Photoshop CS or above

Hardware Requirements

• Windows or Mac capable of running Photoshop CS or above.
• Graphics tablet is helpful but not required

Course Gallery

Before Class

The Pen tool in Photoshop is one of the most avoided tools by the most Photoshop users.  It may be explored or played with while using the program, but many users find in unintuitive and cumbersome to make a part of their normal workflow.  There tends to be a strange level of intimidation regarding the Pen.  This course is meant to change that.  At the culmination of this class students should be as comfortable with the Pen as with any other tool in Photoshop.

Week One

The Pen is mightier than the sword, or the brush, or the clone stamp tool, or even the filter menu.

This week we’ll delve into what exactly the Pen does that is different than anything else in Photoshop, and why you’d want to use it.  We’ll explore the interface and get some hands on time in Path wrangling.

Week Two

Now cut that out! Remove an object from a background without the Magic Wand tool!

Remove an object from a background without the Magic Wand tool!

This week we’ll see why the Pen is the “Anti-Magic Wand” tool.  We’ll use it to cut an object out of the background of an image.  We’ll explore the techniques the pros use and develop an efficient work flow for quickly creating precise clipping paths, and discuss why that’s a good thing.

Week Three

Illustrating in Photoshop, learning to draw a logo that can be scaled to any size without smudging

Learn to create tight vector illustrations in our favorite image editor.  In a program where pixels reign supreme, the vectors tools are often forgotten.  This week we’ll dust them off and see that Photoshop can draw!

Week Four

Keeping it real, practical path projects and Professional Pen practices

This week we’ll cover some real life applications of the Pen techniques and explore some of the secret tricks of the pros.

Possibly Related Courses

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• Introduction to Digital Painting in Photoshop
• Mastering Image Correction
• Creative Photo Effects 1
• Introduction to 3D for Photoshop
• Illustrative Image Design

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• Digital Painting With CS5
• Introduction to Digital Painting in Photoshop

Description

Whether you are just starting out on your wonderful digital photo adventure or you have already ‘dipped your toes’ in the digital pool and now want to throw abandon to the wind and jump feet first into the creative pond, this course will give you a rock solid foundation!

One of the most common questions asked by fresh, keen image makers when faced with their first picture in Photoshop is “So, now what do I do?”. This course will answer that question and many more. From first opening your camera or imported image; to saving it as a fully corrected and clean digital file ready for more advanced work; this course will guide you through the various steps required in an easy to learn way.

Skill Level

Beginner

Software Requirements

• Microsoft Windows XP, Microsoft Windows Vista or Apple Mac OS X operating system
• Adobe® Photoshop® CS3* or above (Many of the methods taught can be applied to other earlier versions of Photoshop and other software.)

Hardware Requirements

• A computer capable of running Adobe Photoshop
• Mouse and keyboard input devices

Course Gallery

[View with PicLens]

 

Before Class

Knowledge of the standard Adobe graphical user interface.

Week One

Getting started

• Digital Images-Vector or Raster
• Image “Modes”
• Bitmap
• Grayscale
• Bit Depth
• Why is Bit-Depth Important?

Week Two

Getting to work

• Opening an Image in Photoshop
• File formats
• Which format to use?
• Analyzing the Image
• The Info Palette
• Assessing Tones and Colors
• The Eyedropper Tool
• Color Samplers
• Histograms
• What is It?
• Analyzing images with the Histogram
• Assessing Exposure
• Assessing Image “Mood”
• Lost Tones and Posterization

Week Three

Preparing a New Image

• The Rotate Canvas command
• The Ruler tool
• The Crop Tool
• Cropping with Perspective
• Blemishes and Artifacts
• Types of Blemishes
• The Editing Tools
• Spot Healing Brush
• Healing Brush
• Clone Stamp Tool

Week Four

Saving a Clean Image

• Choosing the right file format for saving
• Adjustment Layers and Layer Masks
• Dodge and Burn tools
• Hue and Saturation
• Replace Color
• Making Selections
• Color Editing
• Localized Editing

Possibly Related Courses

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• Creative Photo Effects 1
• Introduction to the Pen Tool
• Introduction to 3D for Photoshop
• Illustrative Image Design
• From Traditional to Digital-Painting Fundamentals

Other Courses by Les

• Creative Photo Effects 1

Description

Examples of solarisation and hand-colouring (from bw original)

This course will introduce you to a collection of fascinating photo/image techniques used by experienced photographers and fine art print makers. With this set of creative photo effects you will discover and enjoy an exciting new journey of self-expression.

With digital technology, image manipulation has never been easier and this course will open the way to self-expression by giving you the confidence to enhance your own photographs and elevate them to the realm of ‘fine art’.

Each easy to follow technique will be clearly explained so that you can understand the background behind the process and not just blindly follow a step-by-step process. In this way, your imagination will be stimulated and at each stage you will be encouraged to explore your creative impulses.

The techniques are fully supported by video tutorials to make the learning experience more enjoyable.

Skill Level

Beginner to intermediate.

Since this is a creative techniques course, I will be assuming everyone has some prior knowledge of and hands-on experience with a mouse (clicking, dragging etc) and the computer’s operating system e.g folders and files management.

I will also assume some basic knowledge of Photoshop BUT will explain in detail virtually everything you need to complete the course. Those of you with good expertise in Photoshop should forgive me if at times it seems I am ‘teaching my grandmother to suck eggs’ since there will be others with less expertise! Have patience!

All the techniques have been prepared in PS CS3 but should still be workable in most previous versions and CS4 as I have tried to avoid CS3 specific features in favour of a more general approach.

Software Requirements

• Adobe Photoshop  – windows or mac version.

Hardware Requirements

• Any computer capable of running Adobe Photoshop
• A graphics tablet makes life a lot easier but a mouse will do the job

Course Gallery

[View with PicLens]

 

Before Class

I recommend you read the ‘How to get the most from your course’ information. Then open your mind to creative input and output!

Week One

Any colour you like as long as it isn’t black!

Week one will be all about adding colour to images. We will deal with a variety of methods for replicating the traditional ‘darkroom toning’ of an image and also explore hand-colouring; another highly effective and popular technique for adding your personal touch to a photo image.

Week Two

Beyond the range of the eye and into the infra-red!

Week two will deal with adding pseudo 3D effects to an image based on the traditional darkroom methods and an exploration into replicating the astonishing visual effect of infra-red black and white film.

Week Three

Move over Hockney, Warhol and Man Ray!

Week three will deal with posterisation and the ‘pop art’ look followed by another very popular darkroom ‘arty’ technique; pseudo-solarisation. These two techniques can produce very stylish, graphic images.

Week Four

Lith it here, lith it there! SX-70 it everywhere!

Week four will explore a real favourite amongst traditional fine-art photographers known as the ‘lith printing’ technique. This is a technique capaple of producing beautiful and unusual images. We will complete the course by learning to simulate digitally one of the truly unique techniques ‘discovered’ by art photographers when Polaroid introduced their SX-70 instant film and cameras. The digital Polaroid SX-70 technique, like the original method, is capable of producing quite individual and beautiful results.

Possibly Related Courses

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• Mastering Image Correction
• Introduction to the Pen Tool
• Introduction To Color Theory
• Introduction to 3D for Photoshop
• Illustrative Image Design

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• Mastering Image Correction

Description

Should Photoshop  include this art form, since more and more people are getting involved in the 3D world? It sure does.

“Will mastering these new 3D features make you an expert in 3D? No, but what it will do is make you more familiar with 3D in general and perhaps make learning a dedicated 3D application a little less frustrating. But what you will have is a new weapon in your design arsenal. With these few but robust 3D tools, you can create really compelling 3D art with just a little bit of practice.”
(Corey Barker, National Association of Photoshop Professionals, Photoshop User CS4 Bonus Issue)

In this class, you’ll be introduced to the basics of 3D and how to use the tools that Photoshop CS4 Extended offers.

Skill Level

Intermediate. Students must have a good command of Photoshop, its tools and terminology. It is assumed these tenets are known and understood.

Software Requirements

• Photoshop CS4 Extended

Hardware Requirements

• Windows
  1.8GHz or faster processor
  Microsoft® Windows® XP with Service Pack 2 (Service Pack 3 recommended) or Windows Vista® Home Premium, Business, Ultimate, or Enterprise with Service Pack 1 (certified for 32-bit Windows XP and 32-bit and 64-bit Windows Vista)
  512MB of RAM (1GB recommended)
  1GB of available hard-disk space for installation; additional free space required during installation (cannot install on flash-based storage devices)
• Mac
  PowerPC® G5 or multicore Intel® processor
  Mac OS X v10.4.11–10.5.4
  512MB of RAM (1GB recommended)
  2GB of available hard-disk space for installation; additional free space required during installation (cannot install on a volume that uses a case-sensitive file system or on flash-based storage devices)

Course Gallery

Before Class

Students must have a good command of Photoshop, its tools and terminology.It is assumed these tenets are known and understood.

Week One

Lesson One

• 3D Basics
• Axis
• Meshes
• Workspace and 3D Tools
• 3D Postcards

Week Two

Lesson Two

• 3D Models
• Bringing 3D Models Directly into Photoshop
• Dealing with Downloaded Files
• Create a 3D Mesh

Week Three

Lesson 3

• Basic 3D Objects
• Spherical Panoramas
• Transforming 3D Objects
• Useful Tips for Easier Workflow
• Modifying Meshes
• Cross Sections
• Aligning Objects
• Merge 3D Layers
• Painting
  Cloning
  Using Selections to Paint on 3D Objects
  Hiding Selections to Paint on 3D Objects
  Painting Bump
  Painting Glossiness

Week Four

Lesson 4

• Painting Continued
  Painting Opacity
  Paint with Shininess and Adjust Specular Highlight Color
  Painting a Spherical Depth Map
  Importing Maps for use as Materials
• Lights
• Cameras

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• Introduction to Photoshop Two
• Introduction to the Pen Tool
• Mastering Image Correction
• Creative Photo Effects 1
• Illustrative Image Design

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• Introduction to Photoshop Two
• Introduction to Photoshop One

Description

In this class students will design and create multi-image montages to illustrate a concept or an activity of the portrait of the person they are photographing.  Upon completion the students will have a strong understanding of visual theory, color interpretation, qualities of light, and a firm comprehension in how to work with the tools and procedures in Photoshop.

Text and instructional information will be supplied by the instructor, and in notes taken by the students from the video instructional presentation.

Recorded video presentations will illustrate the concepts of elements, how to effectively use lighting to strengthen the image, and color story to support the finished image.  The importance of background will also be a key feature of this week.  All aspects from choosing colors to lighting style have an impact of the finished designed piece and when correctly working together make a successful image.  Video presentations will provide a visual learning atmosphere.

Skill Level

Intermediate to advanced understanding of photography, lighting, and Photoshop is required.

Software Requirements

• Photoshop 7 or greater
• A Professional camera

Hardware Requirements

• A desktop or laptop computer with enough processing speed and ram to handle large image sizes and to run Photoshop smoothly.  It will make no difference if the student is working on a P.C. or a Mac platform, although the instructor will be teaching from a P.C.

Before Class

For class preparation I only ask the student to come with a hunger to learn and a dedication to implement the assignments that will be given to the best of his/hers ability.

Week One

Image Theory

• Image Concept
• Image Message
• Elements
• Break Down of Image Elements
• Lighting to Support Image Concept
• The Background
• Eye Placement with Background

Week Two

Image Design Theory

• Color Theory
• Developing the Concept
• Background Composition
• Primary Element Composition
• Designing from the Primary
• Size Matters
• Defining the importance of secondary elements
• The Art of Masking
• Modes & Layering
• Accenting with Layers & Modes
• How the image takes on life

Week Three

Control of Elements

• Elements Redefine
• Opacities
• Elements & Filters
• Saturation of Color
• Directing the Viewers Eye
• Creating the Image

Week Four

Perfecting the Image

• Has the Message or Concept been Delivered
• Fine Tuning the Elements
• Checking for Flaws and Cutouts
• Presenting the Image

Possibly Related Courses

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• Introduction to the Pen Tool
• Mastering Image Correction
• Creative Photo Effects 1
• Introduction to 3D for Photoshop
• From Traditional to Digital-Painting Fundamentals

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Description

From Traditional to Digital: Painting Fundamentals: As painters, our job is twofold. First, we must develop a powerful understanding of light, and second, we learn to interpret that information through the medium of brushstrokes. This course provides an intensive, fundamental study of light, how it works, and how to paint it using digital painting tools. We will study from reference photography, and create paintings both from photographs and imagination.

Skill Level

All levels can benefit from this class.

Software Requirements

nstructor is using Adobe Photoshop CS5, but this course is not software specific. Students may use the digital painting software of their choosing. Recommended softwares are: Adobe Photoshop (CS or higher), Corel Painter (any version), ArtRage.

Hardware Requirements

Computer that can run the software properly. Mac or PC will suffice.

Wacom Tablet (Intuos or Bamboo, any size)

Course Gallery

Before Class

A familiarity with your chosen digital painting software is highly recommended. This is not an advanced software class, so a basic familiarity is all you need.

Week One

Introduction to Light

Your Instructor will introduce the concept of painting light, and will begin to deconstruct and analyze selected photographs to communicate some fundamental concepts of how light works, as well as introduce the student to common lighting situations found in nature. Students will be asked to find their own photographs that demonstrate the various lighting conditions discussed in the lecture.

Week Two

Quick Digital Studies from Photography

We will examine some more photographs, and instructor will demonstrate quick digital studies, with the goal of accurately reproducing the effect of light seen in the photos. These studies are fast and loose, and will use traditional techniques, rather than relying on ‘digital trickery’. The goal at this stage is for the student to begin to learn what elements are essential to capture, what elements must be simplified, and what must be edited out. Students will be asked to do their own digital studies from photos of their choosing. Some digital brush creation will be discussed as well.

Week Three

Critique of Student Studies

Students will submit their work to the class, and the instructor will choose studies at random, and critique them for the class’ benefit. Critiques will be performed by directly painting over the top of the work, as well as a verbal discussion of how to improve upon the study.

Week Four

Painting from Imagination

The instructor will draw upon information learned during the previous studies, and will paint a scene entirely from imagination, without using any reference material, and discussing the process as the painting evolves. Students will learn how to directly apply their knowledge of light to any subject, and create believable and beautiful images.

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• Introduction To Color Theory
• Blogging 101
• Introduction to the Pen Tool
• Mastering Image Correction
• Creative Photo Effects 1

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Description

Jump in and get your feet wet. This “little sister” version of big brother Photoshop has tons of hidden tricks up her sleeve. In this class, we’ll cover getting started with Quick as well as Guided Edit options. Never fear, there are still many things  you can do with this inexpensive photo editing software you never thought possible! Join us for this introductory class at a special rate!

Super-duper possibilities:

•shortcut keys to save you time & effort

•variations – version 8.

•Correct color – fix wrong color balance
& skin tones

•Correct contrast – save highlight &
shadow details!

•Make Blue skies & colors pop

•Remove Red Eyes, touching up
blemishes

•Critical info on saving your photos!

•Sharpening – overdoing it is easy.
Subtle is key!

•quick selection tool – breaking it down!

•recompose tool & scene cleaner -
version 8 – these will totally knock your
socks off! So worth the price of
admission!

•Web photo galleries

Skill Level

Beginner
New or occasional user. This class is an introduction to digital photo editing but includes some VERY cool tools & amazingly eye-popping editing capabilities.

Software Requirements

This class will be using Photoshop Elements 8 with all sorts of new tricks & options. You can download a 30 day trial of this version if you do not yet own it by going to Adobe
Photoshop Elements download

Hardware Requirements

Windows for version 8: 1 GB RAM, 2 GB Hard disk space, Windows Vista or Windows 7 w/1.6GHz processor
Mac version 8: Intel processor! Mac 10.4.11 or newer.

Course Gallery

Before Class

You can download a 30 day trial of this version if you do not yet own it by going to Adobe Photoshop Elements homepage Students may use a previous version if they already own one but may not have some of the latest options available to them. It will be beneficial to download a current trial version.

Week One

Getting to know Elements.

• Exploring the interface.

• Ingesting images.

• Critical info when saving images.

• Quick & guided interface.

• Quick Fixes: whiter teeth, bluer sky, better crop,…

• Crop & Straighten

Week Two

Tools & shortcuts

• Quick & guided tools & their shortcuts

• Variations – color, brightness, contrast, highlights, shadows

• Histogram – lighting, exposure, contrast

• Breaking it down: Quick selection

Week Three

Eye-Popping Features

• Sharpening

• Blemishes, Red Eye

• Recompose

• Scene Cleaner

• Other way cool tools & tricks!

Week Four

Share! & Review

• Saving for web

• Web photo galleries

• Photo Collage

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Description

New Digital Painting Features in Photoshop CS5. With this latest version of Photoshop, Adobe has introduced an assortment of new and exciting painting tools that will change the way you paint in Photoshop. This course will explore what these new tools are, discuss their capabilities and limitations. Most importantly, this course will show you how to use these new features to bring your Digital Painting skills to a whole new level.

This course begins with an introduction to the new painting tools in CS5 and launches into project themed lessons. Students will learn techniques to turn a photo into a convincing painting, how to paint from scratch from a sketch, and finally a host of special tips and tricks to use on a personal work of art.

The course work is primarily written instruction but also includes several videos to demonstrate the techniques click for click.

BONUS: This course includes a custom CS5 Painting Panel students can download and install. This panel becomes part of the Photoshop interface and makes using the right set of tools and techniques that much more convenient.

Skill Level

Intermediate. This is not an introduction to digital painting course. Students should have some experience with digital painting and the Photoshop interface. The focus is on the new tools and how to use them.

Software Requirements

Photoshop CS5

Hardware Requirements

Machine capable of handling fairly large digital painting files.

Graphics Tablet is highly recommended.

Course Gallery

Before Class

Students are expected to attend class with an appetite for learning, a love for art, and an eagerness to grow as an artist.

Students should familiarize themselves with the Photoshop interface and the standard brush engine. Students should also have a photo they’d like to turn into a painting, a sketch they’d like to paint on, and an idea for a personal painting project at the end of class.

Week One

The All-New, All-Different brush engine.

This week we will explore the new tools like the new bristle brushes and mixer brush, make sense of the mind boggling array of new settings, find a few hidden gems Adobe hid along the way, and install a new Painting panel on the interface.

Week Two

Photo to Painting. Can it really be that easy?

This week we will go through the process of painting over a photograph with the intent to transform it into a painting. We’ll discuss how to evaluate the photo and what techniques to use where for the best results.

Week Three

Let’s paint!

Students will learn the true power of these new tools this week when we take off the training wheels and dive into the deep end of our pool of mixed paint and metaphors. The goal is simple: start with a sketch, end with a painting. The lesson will explain each step of the process along the way.

Week Four

In this final week of class, we’ll go over some final fun tips and tricks to round out this review of the new Painting features. Then students will be expected to take what they’ve learned and apply it to a personal painting project to share with the class.

Possibly Related Courses

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• Introduction to the Pen Tool
• Introduction to Digital Painting in Photoshop

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• Introduction to the Pen Tool
• Introduction to Digital Painting in Photoshop

Description

This course is a beginner level course that presents the basics of digital painting with Photoshop. It’s a hands-on exploration of tools, theory, and technique designed to familiarize students with the fundamentals of creating painted artwork within Photoshop. By the end of the course, students should be comfortable using the painting tools and have a solid understanding of the workflow involved in producing a painting of their own.

Skill Level

Beginner to Intermediate

Software Requirements

• ®Photoshop 7 or higher
• ®Photoshop Elements 6 or higher

Hardware Requirements

• Adobe® Photoshop® – CS and above – if you have an earlier version, you can still benefit from this class as it covers the basics which haven’t changed. There would be some activities you wouldn’t be able to participate in because depending on your version, you might not have access. That would be the exception more than the rule.
• You can download a trial version of Photoshop CS4 Extended if you don’t have Photoshop. It’s only good for 30 days. Then, after taking the class and the program, by all means purchase it so you can take the follow-on class and learn even more about the program. It’s the best graphics program you can find, so it’s an investment well worth making. If you want to try the 30 day trial, give it a shot: Photoshop CS4 Trial Download

Course Gallery

Before Class

You can download a trial version of Photoshop CS4 Extended if you don’t have Photoshop. It’s only good for 30 days. Then, after taking the class and the program, by all means purchase it so you can take the follow-on class and learn even more about the program. It’s the best graphics program you can find, so it’s an investment well worth making. If you want to try the 30 day trial, give it a shot: Photoshop CS4 Trial Download

Week One

Meet and greet with basic tools

• What version of Photoshop are you using? What version should you be using?Week one text.
• To Wacom or not to Wacom? Let’s have the tablet discussion.
• Brushes palette: dos and don’ts
• Color palettes, how to make sense of them.
• The Layer palette, your new best friend.
• Behold the Blending Modes
• Wise selections, learning the selection tools
• Halo! We’re the Adjustment Layers! And we’re here to help you.
• Using masks: the smart way to erase.
• Getting a grip on gradients

Week Two

Method behind the madness: a bit of Art Theory

• Sketching, how to start.
• Using a reference photo
• The rule of thirds
• Composition and focal points
• How to keep things in perspective
• Develop a color study
• Lighting, what a bright idea
• Colors in harmony, still searching for melody
• Setting the mood
• Directing viewer’s eye with color and contrast

Week Three

Getting ready to paint

• What goes where? The basic layer setup
• I’m a background, fill me in
• Blocking in the basic color
• Establishing light and shadows
• Reflected light
• Dodge and burn techniques
• Details, details

Week Four

Other techniques and effects

• Using custom brushes
• Remedy for not-so-steady hand
• Drawing paths with the Pen Tool
• Brush strokes on paths
• Gradient and easy shading
• Filters
• Textures: bring in grunge
• Smudging

Possibly Related Courses

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• Introduction to the Pen Tool
• Introduction to Photoshop One
• Digital Print Embellishment
• Introduction To Color Theory
• From Traditional to Digital-Painting Fundamentals

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• Digital Painting With CS5
• Introduction to the Pen Tool

Description

Prepare to immerse yourself in a whole new world of digital art. Leave pixels behind and discover vector illustration using the industry standard application. In Illustrator I, learn the tools and interface of Adobe Illustrator CS3 in a friendly environment and at your own pace.

Skill Level

This course is designed for complete beginners.

Software Requirements

• Microsoft^® Windows^® XP, Microsoft^® Windows^® Vista or Apple^® Mac OS^® X operating system
• Adobe^® Illustrator^® 10* or above

Hardware Requirements

• A computer capable of running Adobe Illustrator
• Mouse and keyboard input devices
• Wacom or comparible tablet is recommended, but not required

*While this course is designed for Adobe Illustrator CS3 (version 13), most of the materials covered are standard as far back as version 10 of the software. If attending with any version below 13, please be aware that some of the features of the software covered in the course may not apply to your version and that no substitute materials will be offered.

Course Gallery

[View with PicLens]

 

Before Class

If you have not already ran a trial of Adobe Illustrator CS4 on your computer, a free 30-day trial may be downloaded from Adobe’s Illustrator page. If choosing this option, please do not install Illustrator until the course begins to avoid your trial expiring before the end of the course.

Week One

Basic Shapes

Explore the Illustrator interface and create a basic illustration with primitive shapes like circles, rectangles and triangles. The lesson is designed to familiarize the student with the very basic commands of Illustrator.

Week Two

Complex Shapes

Expand from simple shapes into complex shapes using the Pen tool, Pencil tool and the Pathfinder panel.

Week Three

Working with Text

Learn to work with text inside of Illustrator. Also, see text in a whole new light as it is used as a graphic element to create photo frames.

Week Four

Special Effects

Explore the Effects menu and gradient mesh to add realism to your Illustrator projects.

Possibly Related Courses

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• Introduction to the Pen Tool
• Introduction to Digital Painting in Photoshop
• Introduction to Photoshop One
• Digital Print Embellishment
• Introduction to Corel Painter 11

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