Description

This course is an exploration of Photoshop’s Pen Toolset and Paths.  The course will cover the creation, manipulation, and many uses of vector paths within Photoshop.  Students will become familiar with using Photoshop’s Paths for a variety of real world tasks such as vector drawings, logo creation, clipping paths, cutouts and other effects that can be accomplished with Paths.  Detailed step by step instructions as well as video examples provide the means for students to take control of this powerful but intimidating tool.

Skill Level

Beginner to Intermediate

Software Requirements

• Photoshop CS or above

Hardware Requirements

• Windows or Mac capable of running Photoshop CS or above.
• Graphics tablet is helpful but not required

Course Gallery

[Gallery not found]

Before Class

The Pen tool in Photoshop is one of the most avoided tools by the most Photoshop users.  It may be explored or played with while using the program, but many users find in unintuitive and cumbersome to make a part of their normal workflow.  There tends to be a strange level of intimidation regarding the Pen.  This course is meant to change that.  At the culmination of this class students should be as comfortable with the Pen as with any other tool in Photoshop.

Week One

The Pen is mightier than the sword, or the brush, or the clone stamp tool, or even the filter menu.

This week we’ll delve into what exactly the Pen does that is different than anything else in Photoshop, and why you’d want to use it.  We’ll explore the interface and get some hands on time in Path wrangling.

Week Two

Now cut that out! Remove an object from a background without the Magic Wand tool!

Remove an object from a background without the Magic Wand tool!

This week we’ll see why the Pen is the “Anti-Magic Wand” tool.  We’ll use it to cut an object out of the background of an image.  We’ll explore the techniques the pros use and develop an efficient work flow for quickly creating precise clipping paths, and discuss why that’s a good thing.

Week Three

Illustrating in Photoshop, learning to draw a logo that can be scaled to any size without smudging

Learn to create tight vector illustrations in our favorite image editor.  In a program where pixels reign supreme, the vectors tools are often forgotten.  This week we’ll dust them off and see that Photoshop can draw!

Week Four

Keeping it real, practical path projects and Professional Pen practices

This week we’ll cover some real life applications of the Pen techniques and explore some of the secret tricks of the pros.

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• Introduction to Digital Painting in Photoshop
• Mastering Image Correction
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• Introduction to 3D for Photoshop
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• Digital Painting With CS5
• Introduction to Digital Painting in Photoshop

Description

In this class, you will learn to incorporate a combination of collage and digi-scrap techniques to make four different projects. In the process, I hope to teach you a few new tricks about Painter. Your finished projects will be suitable for printing, either to hang on your walls or to use for greeting cards (my favorite use of computer graphics).

Note: This class is suitable for users of Corel® Painter[TM]IX.5, Corel® Painter[TM] X or Corel® Painter[TM] 11. In areas where Painter 11 differs from Painter 9.5/X, appropriate annotations have been made.

Please Note: This is a self-study class. Instructor support is only provided on a limited basis.

Skill Level

Intermediate to Advanced

Software Requirements

Windows XP SP2, Windows Vista,  Windows 7, Mac OS X

Any of the Corel® Painter[TM] versions listed below:

• Corel® Painter[TM] IX.5
• Corel® Painter[TM] X
• Corel® Painter[TM] 11

Hardware Requirements

• A computer capable of running Painter
• Mouse and keyboard input devices
• Wacom® or comparable pen tablet and pen (optional, but useful)

Software Covered: Corel® Painter X.5, Corel® Painter X and Corel® Painter 11. Please note that the Screenshots were made using Painter X.

Course Gallery

You’ll be learning to use some of the lesser known features of Painter to create themed collages. Some of the techniques we’ll cover may also be applied to making scrapbook elements for those of you who like to do digital scrapbooking. One thing I promise…you will have fun!

Week One

Under the Sea

Create a scrap-collage and learn to make cut and deckled paper shapes.

Week Two

Iconic Japan

Create a scrap-collage and make a pieced, paper Kimono.

Week Three

Out of Africa

Create a scrap-collage and learn to use the Painter “Make Mosaic” tool

Week Four

Mom’s Sewing Basket

Learn to create your own scrap collage elements using various Painter effects, then put them all together to create your own original image.

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• A Journey Called Collage
• Painter-Getting Started with Auto-Painting
• Introduction to Photoshop Two
• Portrait Painting #2
• Corel Painter and the Amateur Photographer

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Description

In the next four weeks we will delve into expressionistic painting using a pastel technique.

We will take a peek at the history of traditional media pastels, some differences in the different types of pastels and how the ground, substrate, or paper will make a big difference in the look of your images. We will have the opportunity to paint three images using a pastel technique.

Skill Level

This class is a beginner to intermediate skill level class. For best results the student must be familiar with the Corel Painter user interface, be able to import an image into Photoshop and Corel Painter, select brushes, and save files.

Software Requirements

The software required for this class is Corel Painter 9 or newer, and either Photoshop CS2 or newer or PS Elements 7 or newer.

Hardware Requirements

Your computer that will work with your version of PS and Corel Painter.

Week four we will be printing out an image and laying down some traditional media pastels as an embellishment. You will need your own printer and a few sheets of water color paper to print out on. If you don’t have a printer that can do that you can use a local  printer to help you out.

If neither of those are available you can use our partner and sponsor for speaking tours, Allied Photo at http://www.alliedphoto.com/ or call them at 616-452-3941/800-368-6113

Other Requirements

As mentioned we will apply some traditional media pastels to a printed image in week four.  There will be an alternative assignment for those that do not want to go through with that project. If you do want to participate, you will need some pastels. Go to your local art/craft store and purchase some pastel pencils. Below is the complete list of supplies for the class IF you want to embellish a print.

• 1-2 sheets of water color paper that will go through your printer (or a lab/studio in town to print for you)

• 2-Spray fixative to seal your image after printing and before applying pastels

• 3-Pastels of some sort to use for your embellishment

Course Gallery

[Gallery not found]

Before Class

There are a few things that will help you get a jump on this class. In the fourth week we will print one of the images from the first three weeks and embellish it with pastels. You will want to have on hand a few sheets of water color paper for your printer or find someone locally to print an image for you if you want to participate in that portion of the assignment. The other thing is that you will want some pastels to embellish with. If you are new to pastels I would suggest pencil pastels or soft chalk pastels. Purchase them at your local art supply store or a big box hobby store like Hobby Lobby or Michaels. Pastels are expensive. There is no requirement that you have to buy these for the class. There is an alternative assignment. Invest in the material if you desire to pursue pastels further.

To save you time here are a few online sources:

You can get a starter set of soft pastels or pencils at Dick Blicks or Cheap Joes for roughly $50.

http://www.dickblick.com/products/sennelier-soft-pastel-sets/

http://www.dickblick.com/products/stabilo-carbothello-pastel-pencil-sets/

http://www.cheapjoes.com/art-supplies/4598_pastel-supplies.asp

http://www.cheapjoes.com/art-supply/132230_5247_sennelier-soft-pastel-set-assorted-half-stick-colors.asp

The other thing needed is a fixative.  Sealing your paper will allow you to use your pastels on the print without rubbing off the emulsion. Here are some easy rattle can spray fixatives NOTE: DO NOT USE THESE SPRAY FIXATIVES IN AN ENCLOSED AREA.

The other thing to keep in mind about embellishment is that a lot of testing  needs to take place for your particular printer/ink/paper combination. Your setup will differ from mine. My recommendation is test, test, test. I have ruined many prints because the combination I was tying to use would not work. I have used Breathing color, and Golden Artist Colors  Varnishes as well as premier art sprays with good success but please don’t expect to have great results on the first try with your paper printer combo. It could happen but most likely will not.

http://www.cheapjoes.com/art-supply/3044913_5286_winsor-newton-artists-workable-fixative-spray.asp

This is an article written by my friend Michael Townsend. Mike is a super-tech from Golden Artist Colors. It tells you a bit about the importance of sealing images from a ink jet printer.

http://www.goldenpaints.com/justpaint/jp14article3.php

Week One

Brush Research

Watch the brush research video or read the Brush Research PDF.

Start by experimenting and see how each type of brush specific to pastels reacts to your stroke and how you can make various changes in the brushes.

Watch the Pastel technique video to get an idea of one method of creating a pastel emulation.

The first assignment is to create a loose piece based on a photo of a sphere, the file to use is located in the resource area  for week one. There are no rules, you can do anything you want with the image. The emphasis will be on using the brushes from your research to emulate a pastel drawing.

As points of interest there are a few other documents that are released in week one. A PDF file on the history of Pastels, A PDF document with various books on traditional media pastels and a PDF document with other pastel resources.

Week Two

Paper Color and Texture

Watch the Video or read the document on paper color and texture.

Experiment with paper texture combinations. Come up with three version that you like.

Use one of  these combinations to create your second pastel image of an overall landscape scene with a horse and rider. The image can be found in the Week two resource area.

Share your work.

Week Three

Read the PDF file on the differences in traditional pastel media.

Create your next digital pastel painting using the dancer reference image located in the Week Three resource area.

Week Four

Embellishment of Your Digital Pastel Image

Read the PDF file on embellishment.

Read the Pastel accessory document.

Read the document Common Pastel Mistakes.

Print out or have printed one of your images from the first three weeks and use your pastels to create a unique original mixed media piece.

If you don’t want to embellish one of your images then create a fourth digital pastel using one of your files or the file provided in the Week Four resource area.

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• Portrait Painting #2

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Description

Whether you are just starting out on your wonderful digital photo adventure or you have already ‘dipped your toes’ in the digital pool and now want to throw abandon to the wind and jump feet first into the creative pond, this course will give you a rock solid foundation!

One of the most common questions asked by fresh, keen image makers when faced with their first picture in Photoshop is “So, now what do I do?”. This course will answer that question and many more. From first opening your camera or imported image; to saving it as a fully corrected and clean digital file ready for more advanced work; this course will guide you through the various steps required in an easy to learn way.

Skill Level

Beginner

Software Requirements

• Microsoft Windows XP, Microsoft Windows Vista or Apple Mac OS X operating system
• Adobe® Photoshop® CS3* or above (Many of the methods taught can be applied to other earlier versions of Photoshop and other software.)

Hardware Requirements

• A computer capable of running Adobe Photoshop
• Mouse and keyboard input devices

Course Gallery

Before Class

Knowledge of the standard Adobe graphical user interface.

Week One

Getting started

• Digital Images-Vector or Raster
• Image “Modes”
• Bitmap
• Grayscale
• Bit Depth
• Why is Bit-Depth Important?

Week Two

Getting to work

• Opening an Image in Photoshop
• File formats
• Which format to use?
• Analyzing the Image
• The Info Palette
• Assessing Tones and Colors
• The Eyedropper Tool
• Color Samplers
• Histograms
• What is It?
• Analyzing images with the Histogram
• Assessing Exposure
• Assessing Image “Mood”
• Lost Tones and Posterization

Week Three

Preparing a New Image

• The Rotate Canvas command
• The Ruler tool
• The Crop Tool
• Cropping with Perspective
• Blemishes and Artifacts
• Types of Blemishes
• The Editing Tools
• Spot Healing Brush
• Healing Brush
• Clone Stamp Tool

Week Four

Saving a Clean Image

• Choosing the right file format for saving
• Adjustment Layers and Layer Masks
• Dodge and Burn tools
• Hue and Saturation
• Replace Color
• Making Selections
• Color Editing
• Localized Editing

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Description

This course will introduce you to a collection of fascinating photo/image techniques used by experienced photographers and fine art print makers. With this set of creative photo effects you will discover and enjoy an exciting new journey of self-expression.

With digital technology, image manipulation has never been easier and this course will open the way to self-expression by giving you the confidence to enhance your own photographs and elevate them to the realm of ‘fine art’.

Each easy to follow technique will be clearly explained so that you can understand the background behind the process and not just blindly follow a step-by-step process. In this way, your imagination will be stimulated and at each stage you will be encouraged to explore your creative impulses.

The techniques are fully supported by video tutorials to make the learning experience more enjoyable.

Skill Level

Beginner to intermediate.

Since this is a creative techniques course, I will be assuming everyone has some prior knowledge of and hands-on experience with a mouse (clicking, dragging etc) and the computer’s operating system e.g folders and files management.

I will also assume some basic knowledge of Photoshop BUT will explain in detail virtually everything you need to complete the course. Those of you with good expertise in Photoshop should forgive me if at times it seems I am ‘teaching my grandmother to suck eggs’ since there will be others with less expertise! Have patience!

All the techniques have been prepared in PS CS3 but should still be workable in most previous versions and CS4 as I have tried to avoid CS3 specific features in favour of a more general approach.

Software Requirements

• Adobe Photoshop  – windows or mac version.

Hardware Requirements

• Any computer capable of running Adobe Photoshop
• A graphics tablet makes life a lot easier but a mouse will do the job

Course Gallery

Before Class

I recommend you read the ‘How to get the most from your course’ information. Then open your mind to creative input and output!

Week One

Any colour you like as long as it isn’t black!

Week one will be all about adding colour to images. We will deal with a variety of methods for replicating the traditional ‘darkroom toning’ of an image and also explore hand-colouring; another highly effective and popular technique for adding your personal touch to a photo image.

Week Two

Beyond the range of the eye and into the infra-red!

Week two will deal with adding pseudo 3D effects to an image based on the traditional darkroom methods and an exploration into replicating the astonishing visual effect of infra-red black and white film.

Week Three

Move over Hockney, Warhol and Man Ray!

Week three will deal with posterisation and the ‘pop art’ look followed by another very popular darkroom ‘arty’ technique; pseudo-solarisation. These two techniques can produce very stylish, graphic images.

Week Four

Lith it here, lith it there! SX-70 it everywhere!

Week four will explore a real favourite amongst traditional fine-art photographers known as the ‘lith printing’ technique. This is a technique capaple of producing beautiful and unusual images. We will complete the course by learning to simulate digitally one of the truly unique techniques ‘discovered’ by art photographers when Polaroid introduced their SX-70 instant film and cameras. The digital Polaroid SX-70 technique, like the original method, is capable of producing quite individual and beautiful results.

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Description

Should Photoshop  include this art form, since more and more people are getting involved in the 3D world? It sure does.

“Will mastering these new 3D features make you an expert in 3D? No, but what it will do is make you more familiar with 3D in general and perhaps make learning a dedicated 3D application a little less frustrating. But what you will have is a new weapon in your design arsenal. With these few but robust 3D tools, you can create really compelling 3D art with just a little bit of practice.”
(Corey Barker, National Association of Photoshop Professionals, Photoshop User CS4 Bonus Issue)

In this class, you’ll be introduced to the basics of 3D and how to use the tools that Photoshop CS4 Extended offers.

Skill Level

Intermediate. Students must have a good command of Photoshop, its tools and terminology. It is assumed these tenets are known and understood.

Software Requirements

• Photoshop CS4 Extended

Hardware Requirements

• Windows
  1.8GHz or faster processor
  Microsoft® Windows® XP with Service Pack 2 (Service Pack 3 recommended) or Windows Vista® Home Premium, Business, Ultimate, or Enterprise with Service Pack 1 (certified for 32-bit Windows XP and 32-bit and 64-bit Windows Vista)
  512MB of RAM (1GB recommended)
  1GB of available hard-disk space for installation; additional free space required during installation (cannot install on flash-based storage devices)
• Mac
  PowerPC® G5 or multicore Intel® processor
  Mac OS X v10.4.11–10.5.4
  512MB of RAM (1GB recommended)
  2GB of available hard-disk space for installation; additional free space required during installation (cannot install on a volume that uses a case-sensitive file system or on flash-based storage devices)

Course Gallery

[Gallery not found]

Before Class

Students must have a good command of Photoshop, its tools and terminology.It is assumed these tenets are known and understood.

Week One

Lesson One

• 3D Basics
• Axis
• Meshes
• Workspace and 3D Tools
• 3D Postcards

Week Two

Lesson Two

• 3D Models
• Bringing 3D Models Directly into Photoshop
• Dealing with Downloaded Files
• Create a 3D Mesh

Week Three

Lesson 3

• Basic 3D Objects
• Spherical Panoramas
• Transforming 3D Objects
• Useful Tips for Easier Workflow
• Modifying Meshes
• Cross Sections
• Aligning Objects
• Merge 3D Layers
• Painting
  Cloning
  Using Selections to Paint on 3D Objects
  Hiding Selections to Paint on 3D Objects
  Painting Bump
  Painting Glossiness

Week Four

Lesson 4

• Painting Continued
  Painting Opacity
  Paint with Shininess and Adjust Specular Highlight Color
  Painting a Spherical Depth Map
  Importing Maps for use as Materials
• Lights
• Cameras

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• Illustrative Image Design

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Description

In this class students will design and create multi-image montages to illustrate a concept or an activity of the portrait of the person they are photographing.  Upon completion the students will have a strong understanding of visual theory, color interpretation, qualities of light, and a firm comprehension in how to work with the tools and procedures in Photoshop.

Text and instructional information will be supplied by the instructor, and in notes taken by the students from the video instructional presentation.

Recorded video presentations will illustrate the concepts of elements, how to effectively use lighting to strengthen the image, and color story to support the finished image.  The importance of background will also be a key feature of this week.  All aspects from choosing colors to lighting style have an impact of the finished designed piece and when correctly working together make a successful image.  Video presentations will provide a visual learning atmosphere.

Skill Level

Intermediate to advanced understanding of photography, lighting, and Photoshop is required.

Software Requirements

• Photoshop 7 or greater
• A Professional camera

Hardware Requirements

• A desktop or laptop computer with enough processing speed and ram to handle large image sizes and to run Photoshop smoothly.  It will make no difference if the student is working on a P.C. or a Mac platform, although the instructor will be teaching from a P.C.

[Gallery not found]

Before Class

For class preparation I only ask the student to come with a hunger to learn and a dedication to implement the assignments that will be given to the best of his/hers ability.

Week One

Image Theory

• Image Concept
• Image Message
• Elements
• Break Down of Image Elements
• Lighting to Support Image Concept
• The Background
• Eye Placement with Background

Week Two

Image Design Theory

• Color Theory
• Developing the Concept
• Background Composition
• Primary Element Composition
• Designing from the Primary
• Size Matters
• Defining the importance of secondary elements
• The Art of Masking
• Modes & Layering
• Accenting with Layers & Modes
• How the image takes on life

Week Three

Control of Elements

• Elements Redefine
• Opacities
• Elements & Filters
• Saturation of Color
• Directing the Viewers Eye
• Creating the Image

Week Four

Perfecting the Image

• Has the Message or Concept been Delivered
• Fine Tuning the Elements
• Checking for Flaws and Cutouts
• Presenting the Image

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Description

From Traditional to Digital: Painting Fundamentals: As painters, our job is twofold. First, we must develop a powerful understanding of light, and second, we learn to interpret that information through the medium of brushstrokes. This course provides an intensive, fundamental study of light, how it works, and how to paint it using digital painting tools. We will study from reference photography, and create paintings both from photographs and imagination.

Skill Level

All levels can benefit from this class.

Software Requirements

nstructor is using Adobe Photoshop CS5, but this course is not software specific. Students may use the digital painting software of their choosing. Recommended softwares are: Adobe Photoshop (CS or higher), Corel Painter (any version), ArtRage.

Hardware Requirements

Computer that can run the software properly. Mac or PC will suffice.

Wacom Tablet (Intuos or Bamboo, any size)

Course Gallery

[Gallery not found]

Before Class

A familiarity with your chosen digital painting software is highly recommended. This is not an advanced software class, so a basic familiarity is all you need.

Week One

Introduction to Light

Your Instructor will introduce the concept of painting light, and will begin to deconstruct and analyze selected photographs to communicate some fundamental concepts of how light works, as well as introduce the student to common lighting situations found in nature. Students will be asked to find their own photographs that demonstrate the various lighting conditions discussed in the lecture.

Week Two

Quick Digital Studies from Photography

We will examine some more photographs, and instructor will demonstrate quick digital studies, with the goal of accurately reproducing the effect of light seen in the photos. These studies are fast and loose, and will use traditional techniques, rather than relying on ‘digital trickery’. The goal at this stage is for the student to begin to learn what elements are essential to capture, what elements must be simplified, and what must be edited out. Students will be asked to do their own digital studies from photos of their choosing. Some digital brush creation will be discussed as well.

Week Three

Critique of Student Studies

Students will submit their work to the class, and the instructor will choose studies at random, and critique them for the class’ benefit. Critiques will be performed by directly painting over the top of the work, as well as a verbal discussion of how to improve upon the study.

Week Four

Painting from Imagination

The instructor will draw upon information learned during the previous studies, and will paint a scene entirely from imagination, without using any reference material, and discussing the process as the painting evolves. Students will learn how to directly apply their knowledge of light to any subject, and create believable and beautiful images.

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Description

This class is an intermediate level course designed to acquaint the student with the principles of collage using Corel® Painter. Each week you will be introduced to many creative ways to compose beautiful collage images suitable for framing. This is a Self Paced course with limited instructor support. This class includes additional resources, video and PDF lessons.

Skill Level

This class is intended for the  Intermediate Painter user. Students should be familiar with working with layers, changing Composite methods, making selections. Students should have a basic knowledge and understanding of their operating system and be familiar with the Painter interface.

Software Requirements

• Microsoft^® Windows^® XP, Microsoft^® Windows^® Vista or Apple^® Mac OS^® X operating system
• Corel® Painter™, any version Painter 9.5 through Painter 11.
• Adobe Reader (to read PDF lessons).
• Quicktime (to view lesson videos). Current version please.

Hardware Requirements

• Computer capable of running  Corel® Painter™
• Mouse or Wacom or comparable tablet and stylus
• Scanner ( not mandatory).

Course Gallery

Week One

The Art of Collage

• Gridded Collages, Understanding the basics
• Principles and Inspiration of Collage
• Using Rulers
• Grid collage
• Setting your strategy
• Placing images
• Creating a pleasing Composition
• Duplicating Layer
• Adding Edges

Week Two

Getting Started with Collage Imagery

• Foundation Canvas
• Using the Image Portfolio
• Scanning Images
• Removing Pixels
• Free Transform Tool
• Exploring Layer Composite Methods

Week Three

Texture, images creative backgrounds

• Background elements
• Filters for background images
• Combining images

Week Four

Final project portraiture collage

• Final portrait collage
• Painting into the collage
• Overlays

Possibly Related Courses

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• Painter-Getting Started with Auto-Painting
• Creative Collage: Scrap Techniques with Corel Painter
• Corel Painter: Beyond the Basics
• Introduction to Corel Painter 11
• Painter 3- Advanced Techniques-Selections, Channels and Masks

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• Painter-Getting Started with Auto-Painting

Description

This class covers creative advanced  techniques using Painter’s Auto-Painting palettes. The student will cover the basics of the palettes and discover advanced techniques using the various palettes.

Video presentation will accompany the written lesson. The course is appropriate for the digital artist and photographer seeking new ways to apply the Auto-Painting palettes to their creative process.  All video is produced in QuickTime format and can be saved on your computer for future reference. This is a self study course with limited instructor support. All lessons are available to the student upon successful registration.

Skill Level

Intermediate

Software Requirements

• ®Corel Painter X or higher
• Microsoft Windows XP, Microsoft Windows Vista or Apple Mac OS X operating system

Hardware Requirements

• A computer capable of running ®Corel Painter
• Wacom or comparable tablet is highly recommended. With a mouse you may suffer frustration and not be able to take full advantage of the new features that ®Painter 11 offers.

Course Gallery

[Gallery not found]

Before Class

Students should have a solid foundation of the ®Painter interface.

• Create a new layer
• Create a Layer Mask
• Familiar with the Clone and Quick Clone
• Know how to Open the Brush Controls and Brush Creator
• Know how to Create a Custom Palette
• Be open to experimenting with new ideas and concepts

Week One

Reviewing the Auto-Painting palettes

In part One of your lesson you will be reviewing the Auto-Painting palettes to ensure that you understand the basics of using the palettes. We will practice some basic skills.

Week Two

Experimenting with new techniques and ideas

This week we will have some fun and experiment with several new techniques. The Auto-Painting Palette is really where your creativity can take flight. It is a place where imagination can transform and ordinary image into an extraordinary image.

Week Three

Having some fun with brush dabs and working with Clone Sources

This week you will learn about the importance of using great photos to achieve great image. You will learn how to make basic and advanced corrections to get the most out of your images before the Auto-painting process. You will design your own brush stroke and use it to create backgrounds quickly. You will experiment with the Effects menu to enhance your final image. Students will continue with another project and learn how to work with different saturation values as they Auto-paint. Emphasis this week will be on Auto-Painting using the Smart Stroke option.

Week Four

Creative Effects and Final Image

This week you will continue experimenting with various effects including the Posterize Effect. Emphasis will be on developing your final image for review.

Possibly Related Courses

Automatically generated.

• A Journey Called Collage
• Creative Collage: Scrap Techniques with Corel Painter
• Introduction to Photoshop Two
• Portrait Painting #2
• Corel Painter and the Amateur Photographer

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• A Journey Called Collage